Almost immediately following creation of Tumacácori National Monument in 1908, a visitor center and museum was envisioned. In 1935, a diverse group of National Park Service specialists – an archaeologist, photographer, naturalist, and two architects – were sent to survey Spanish colonial mission sites in Sonora, collecting architectural data for use in planning Tumacácori’s museum.
The building is fashioned after the style of the Sonora missions. As in the construction of the early churches, native materials were employed in the characteristic manner. Walls are of sun-dried adobe brick, cornices are of burned brick, and the exterior walls finished with lime plaster stucco.
Many of the architectural features and details of the Sonora Missions were incorporated in the museum building. The main entrance motif is patterned after the entrance to Cocóspera. The carved entrance doors emulate the carved doors of San Ignacio, some of the most beautiful doors of the entire mission chain.
NPS Photo
No photo was found with that id.
Cannot load image
Visitor center
The other doors throughout the building are similar to the paneled doors of Caborca. The wood-grilled window on the east façade is typical of the grilled windows found in many of the missions. The beamed ceiling of the Lobby, with carved corbels, is similar to the nave ceiling of Oquitoa. The wood paneled confessional at Oquitoa furnished the detail for the original lobby counter.
NPS Photo
No photo was found with that id.
Cannot load image
Courtyard Garden
Missions took their garden design from Spanish tradition. They featured mostly plants imported from Europe for their cultural, religious, medicinal, or aesthetic value. This garden was built in 1939 as part of the visitor center’s “New Deal” era construction.
There are herbs, such as rosemary, thyme, and myrtle. Fruit trees include apricot, olive, and pomegranate. These trees and the monk’s pepper tree were introduced by the National Park Service when this garden was built in 1937 as part of the visitor center.
NPS Photo
Self-guided tour - Courtyard Garden
Video Player is loading.
Current Time 0:00
/
Duration -:-
Loaded: 0%
0:00
Stream Type LIVE
Remaining Time --:-
Â
1x
Chapters
descriptions off, selected
captions settings, opens captions settings dialog
captions off, selected
This is a modal window.
The media could not be loaded, either because the server or network failed or because the format is not supported.
Beginning of dialog window. Escape will cancel and close the window.
End of dialog window.
The courtyard garden at Tumacácori was built in 1939 as part of the visitor center’s “New Deal” era construction. Its design, like that of the adjacent visitor center, was inspired by other missions in the Pimería Alta.
Missions took their garden design from Spanish tradition, which itself borrowed from Arabic, Moorish, and Roman architectural tradition. An ideal Spanish garden incorporated a walled courtyard with a central fountain that promoted shade, fragrance, and color.
These gardens featured mostly plants imported from Europe and brought to the New World by the padres. They were each valuable in their own way—for cultural, religious, or symbolic importance, medicinal or food value, shade, or aesthetics. The tranquility of these natural spaces brought the Spanish and indigenous communities together to savor common cultural values: beauty and utility.
The courtyard garden at Tumacácori was built in 1939 as part of the visitor center’s “New Deal” era construction. Its design, like that of the adjacent visitor center, was inspired by other missions in the Pimería Alta. Several agencies were involved, but the original plantings were carried out by sixteen young men employed by the Civilian Conservation Corps (CCC). Three native mesquite trees were left in place and continue to grow in the garden. The olive, ornamental pomegranate, and monk’s pepper trees survive to this day. When the original apricot tree had to be removed, a seed from that tree provided its replacement.
No photo was found with that id.
Cannot load image
Kino statue
Born in what is now northern Italy in 1645, Kino brought intellectual curiosity to his exploration of a new world. A cartographer and astronomer, Kino drew the first accurate maps of this region, known as the Pimería Alta (the upper lands of the "Pima,"or O'odham), of the Gulf of California, and of Baja California. Through his contribution of new crops, especially wheat, and domesticated animals such as cattle and sheep, a new and different culture composed of both New and Old World elements began. Padre Kino was noteworthy for the good relations he established with the indigenous peoples among whom he worked. He treated the O'odham with respect and learned their language. In turn, the O'odham and other tribal groups affectionately regarded Kino as a leader and advocate. When a tragic misunderstanding resulted in 9 the Pima uprising of 1695, it was Kino who brought an end to hostilities and reestablished peace.
NPS Photo
No photo was found with that id.
Cannot load image
Mission Model and View Room
A mission was much more than a church. The mission community included housing for the mission residents and the priest, workshops, class rooms, a cemetery, a mortuary chapel, an irrigation system, gardens, orchards, and grazing lands.
NPS Photo
Self-guided tour - Mission Model
Video Player is loading.
Current Time 0:00
/
Duration -:-
Loaded: 0%
0:00
Stream Type LIVE
Remaining Time --:-
Â
1x
Chapters
descriptions off, selected
captions settings, opens captions settings dialog
captions off, selected
This is a modal window.
The media could not be loaded, either because the server or network failed or because the format is not supported.
Beginning of dialog window. Escape will cancel and close the window.
End of dialog window.
A mission was much more than a church. The mission community included housing for the mission residents and the priest, workshops, class rooms, a cemetery, a mortuary chapel, an irrigation system, gardens, orchards, and grazing lands.
The goal of Spanish colonization was simple: to remake New Spain in the image of Old Spain. All aspects of daily life would be subject to transformation—food, language, clothing, agriculture, and religion. In the mission model you can see adobe buildings for residences and workshops, agricultural lands, cattle, and the main irrigation ditch. A mission community could be considered a residential training academy where indigenous people learned and adopted a new way of life. The plan was for the missionary priest to move on after ten years, when the community could sustain itself. In fact, more than 100 years would pass before the turn of the 19th century, when the first bricks would be laid for the mission church you see today. Tumacácori went from being an O’odham village to a frontier visita (satellite mission) to a cabecera (headquarters mission) in a matter of decades. Its people changed as well. The O’odham became known as the “Pima” and the “Papago,” and their lands the Pimería Alta (land of the upper Pima). They were baptized with Spanish names, given Spanish-style clothing, and assigned Spanish jobs. They tended to domestic livestock rather than hunting wild game, and irrigated fruit trees that came from oceans away. Today, the O’odham people still carry with them the legacy of colonization. Because they did not record their stories in a written language, exploring their history requires empathy, inference, and respect for O’odham oral tradition. The descendants of mission-era communities are still living all around us.